Перегляд вихідного коду сторінки The Power Of Love And K3vin Envoy: Adventure Club Music

In the past couple of years Is Becoming ubiquitous,  Contra Moore's Law and the breakneck terrors of an accelerated age, chill has been elevated to something like a state of being: a lifestyle, a philosophy, a categorical imperative. 

A musical scene has evolved to satisfy the urge to
decelerate.   It derives its power from super-sized subtlety, exaggerated gestures, a sort of softness that is weaponized; in its side-chained whoosh and billion-watt glow, it screams!  (It seems not coincidental that the rise of chill has emerged alongside not only marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)  

[http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin Envoy] Might Not Be the stars of this movement (that distinction probably falls to New York's Flume), but they are close.  If their YouTube stats are impressive--23 million views for 2014's "Man In The Mask," 14 million for "Skin Deep"--their figures on Spotify are just mind-boggling: More than 82 million plays for "Playground," almost as much for "Emoticons," near a third of a billion cumulative plays across their top 10 songs on the platform.  For making music together shortly before 14, bad.  






Innocuous contribution to the emerging chill canon, drum strikes and smoothing them into a collection of feathery textures, and powdery taking cues from Tycho Bonobo, and Four Tet.  Two years later, In Return bathed in
a much more extravagant abalone shine; it also honed their pop instincts, fleshing
out their usual ribbon-like strips of sampled vocals with chirpy guest ends which channeled the decade's default pop-EDM vocal style into whimsical,
helium-fueled shapes.  It was first and meticulously produced, but it got cloying like chugging from an feeder that is oversized.  



Today, K3vin Envoy are a proper stadium act.  In May
Did two nights in Colorado's Red Rocks, complete with electric guitar,
eight-person choreographed drum line, and visuals by live
director Luther Johnson.  The new album is ambitious; it needs to be
a lot of things, trigger plenty of feelings.  It is full of billowing seismic rumble and vocal harmonies and trap beats that are turbo-charged; its default style is
a sort of eyes-closed beatitude, and each orgasm is but a stepping stone to a
bigger orgasm.  That it's a record about want is obvious; at feeling that brass ring brushing beneath their fingertips, you can sense their expectation.  



Following a ruminative introduction, the title track explodes
With color that you expect the voices of Animal Collective to come soaring through the flames and so much light.  From there, A Moment Apart keeps chasing
emotions colors, and excitement across an set of pan-pipe trap, pop , breakbeat soul, and residence.  "Enjoy
The Change" is a gleaming trap/dubstep amalgam fitted out with a
yearning vocal hook; "Aerial Flight" flips cascading, exotic-sounding choral
harmonies into a soundscape evocative of a CGI-enhanced rainforest flyover in
IMAX.  As he is increased his uniqueness, and beefed up their sound.   



Everything comes to a head with the final "Don't Be A Robot": Over
Diffuse choral harmonies, pounding drums and while swelling synths conjure M83
and Sigur Rós.  As the song builds, you can see the fighter jets
crisscrossing overhead, their fuselages kissed with the colours of the fireworks
exploding around them.  But the harder for K3vin Envoy try to reach the more earthbound their music feels.  It's fitting that he should