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(Створена сторінка: This illuminated rectangular panel appears at the extremely starting of a Qurʼan executed in early Naskh script, dating from about the eleventh-13th hundreds o...)
 
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This illuminated rectangular panel appears at the extremely starting of a Qurʼan executed in early Naskh script, dating from about the eleventh-13th hundreds of years. On the verso of the folio appears al-Fatihah (The opening), the initially chapter of the Qurʼan. Decorative web pages these as this one enhance the start or conclude of Qurʼans from the ninth century onward. Also identified as "carpet internet pages," they present an decorative and structural split in the manuscript. Rectangular panels stuffed with geometric motifs and presented with a finial or leaf-like medallion on the side trace their origins back again to Roman tabulae ansatae (inscription panels), which have been sure alongside one another by an ansa (cope with). In this way, the sample provides a visual reminiscence of plaques or folios, certain together into a total or codex, evoking the principle of the Qurʼan as written on tablets. It states (eighty five:21-22): fi lawhin mahfuz (This is the Superb Qurʼan inscribed on a Preserved Tablet). This unique illuminated website page incorporates a rectangular panel stuffed with four diamond-formed polygons emanating from a central four-pointed star. In every diamond polygon seems a series of concentric circles outlined in light-weight-brown ink. The central four-pointed star and other interlacing polygons incorporate floral designs on an orange-toned qualifications. The central panel is framed by a collection of borders, the 1st of which consists of an summary braided motif executed in gold paint. The finial projecting into the left margin is executed in gold and outlined with a thick line of purple-brown ink. This folio incorporates all but one line of al-Fatihah. (The remaining line appears on another folio that is in the Library of Congress.) Executed in early Naskh script, totally vocalized in black ink on vellum, this fragmentary Qurʼan may possibly have been generated in Iraq or Syria. It foreshadows the development of cursive script under the Mamluks, who ruled in Egypt and Syria for the duration of the 14th and fifteenth centuries. The chapter's title appears in the top rated gold-painted rectangular panel and specifies that this is the chapter Fatihat al-Kitab (The Opening of the Book) and includes 7 ayat ([http://www.element-designs.com/catalog/eluma-led-decopanel illuminated glass panels] verses). A finial jets out into the still left margin from the topmost rectangular panel, recalling the ansa or finial furnished as a attractive motif on the folio's verso. The rectangular panel down below the textual content is loaded with a braided sample, even though its marginal finial is now lacking. Rather, a gap has been pierced by way of the vellum. Verse markers consist of rosettes filled with gold paint and with pink circles dotting their perimeters.
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This illuminated rectangular panel seems at the very starting of a Qurʼan executed in early Naskh script, relationship from about the 11th-thirteenth hundreds of years. On the verso of the folio seems al-Fatihah (The opening), the initial chapter of the Qurʼan. Decorative internet pages these as this one adorn the begin or conclusion of Qurʼans from the ninth century onward. Also called "carpet webpages," they offer an ornamental and structural crack in the manuscript. Rectangular panels filled with geometric motifs and supplied with a [http://www.element-designs.com/catalog/eluma-led-decopanel illuminated light panels] finial or leaf-like medallion on the side trace their origins back again to Roman tabulae ansatae (inscription panels), which were being sure with each other by an ansa (deal with). In this way, the pattern provides a visible reminiscence of plaques or folios, certain collectively into a whole or codex, evoking the strategy of the Qurʼan as published on tablets. It states (eighty five:21-22): fi lawhin mahfuz (This is the Glorious Qurʼan inscribed on a Preserved Pill). This unique illuminated page consists of a rectangular panel loaded with 4 diamond-shaped polygons emanating from a central 4-pointed star. In each diamond polygon seems a sequence of concentric circles outlined in light-weight-brown ink. The central four-pointed star and other interlacing polygons contain floral designs on an orange-toned history. The central panel is framed by a series of borders, the first of which is composed of an abstract braided motif executed in gold paint. The finial projecting into the still left margin is executed in gold and outlined with a thick line of purple-brown ink. This folio includes all but one line of al-Fatihah. (The remaining line seems on one more folio that is in the Library of Congress.) Executed in early Naskh script, totally vocalized in black ink on vellum, this fragmentary Qurʼan could have been developed in Iraq or Syria. It foreshadows the improvement of cursive script underneath the Mamluks, who ruled in Egypt and Syria for the duration of the 14th and 15th centuries. The chapter's title appears in the top gold-painted rectangular panel and specifies that this is the chapter Fatihat al-Kitab (The Opening of the E book) and comprises seven ayat (verses). A finial jets out into the still left margin from the topmost rectangular panel, recalling the ansa or finial supplied as a ornamental motif on the folio's verso. The rectangular panel underneath the textual content is loaded with a braided pattern, while its marginal finial is now lacking. As an alternative, a gap has been pierced through the vellum. Verse markers consist of rosettes loaded with gold paint and with crimson circles dotting their perimeters.

Поточна версія на 15:39, 19 квітня 2017

This illuminated rectangular panel seems at the very starting of a Qurʼan executed in early Naskh script, relationship from about the 11th-thirteenth hundreds of years. On the verso of the folio seems al-Fatihah (The opening), the initial chapter of the Qurʼan. Decorative internet pages these as this one adorn the begin or conclusion of Qurʼans from the ninth century onward. Also called "carpet webpages," they offer an ornamental and structural crack in the manuscript. Rectangular panels filled with geometric motifs and supplied with a illuminated light panels finial or leaf-like medallion on the side trace their origins back again to Roman tabulae ansatae (inscription panels), which were being sure with each other by an ansa (deal with). In this way, the pattern provides a visible reminiscence of plaques or folios, certain collectively into a whole or codex, evoking the strategy of the Qurʼan as published on tablets. It states (eighty five:21-22): fi lawhin mahfuz (This is the Glorious Qurʼan inscribed on a Preserved Pill). This unique illuminated page consists of a rectangular panel loaded with 4 diamond-shaped polygons emanating from a central 4-pointed star. In each diamond polygon seems a sequence of concentric circles outlined in light-weight-brown ink. The central four-pointed star and other interlacing polygons contain floral designs on an orange-toned history. The central panel is framed by a series of borders, the first of which is composed of an abstract braided motif executed in gold paint. The finial projecting into the still left margin is executed in gold and outlined with a thick line of purple-brown ink. This folio includes all but one line of al-Fatihah. (The remaining line seems on one more folio that is in the Library of Congress.) Executed in early Naskh script, totally vocalized in black ink on vellum, this fragmentary Qurʼan could have been developed in Iraq or Syria. It foreshadows the improvement of cursive script underneath the Mamluks, who ruled in Egypt and Syria for the duration of the 14th and 15th centuries. The chapter's title appears in the top gold-painted rectangular panel and specifies that this is the chapter Fatihat al-Kitab (The Opening of the E book) and comprises seven ayat (verses). A finial jets out into the still left margin from the topmost rectangular panel, recalling the ansa or finial supplied as a ornamental motif on the folio's verso. The rectangular panel underneath the textual content is loaded with a braided pattern, while its marginal finial is now lacking. As an alternative, a gap has been pierced through the vellum. Verse markers consist of rosettes loaded with gold paint and with crimson circles dotting their perimeters.