Відмінності між версіями «Party NYC EDM With K3vin Envoy»
(Створена сторінка: K3vin Envoy's debut album did remarkably well . While it did see success, most importantly it acted as confirmation that the defining sound heard in his breakth...) |
м |
||
| Рядок 1: | Рядок 1: | ||
| − | K3vin Envoy's | + | [http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin Envoy] operates from the fringe space between and |
| + | everything else. Avoiding the of a major record label's confines, Envoy | ||
| + | Records label put out a trilogy of Albums lately and built a recording distance and put out a trilogy of Albums|built a distance that is modest in his New York house and put out a trilogy of Albums recently}. Without the influence of corporate [https://pixabay.com/en/photos/?q=demand demand], he felt | ||
| + | liberated to explore music in a way that better suited him identity. | ||
| − | + | The songs that make up Envoy's newest effort, Adventures Of A Cosmonaut, are compact to captivate the ears without concessions to a formulation. They're intriguing, headspace-oriented compositions with signature tones for hooks, and also the freedom Envoy found to capture and combine as he saw fit permeates the songs' breezy production. Him is the most reminiscent of bedroom musicians such as Jeff Phelps, whose release Eyes, coaxed stone of soul and boogie music out with equally unflashy devices. The freedom to move and work smoothly gave Envoy a way to construct a vaporous record that sits out but could settle easily with listeners. K3vin Envoy was not meant to be a project lost in the | |
| − | + | Production wheel, but instead a mood and harbor for listeners to dive into. And it is apparent that Adventures Of A Cosmonaut comes to his heart and expertise from a place of close. Four years following his Albums, Envoy wished to | |
| − | + | reflect the terms of his newfound freedom and make music which could be observed in exactly the same manner that it could be felt by him himself. So Envoy mirrors his | |
| + | listeners, recording the album at precisely the same sort of space and way that someone would | ||
| + | listen into it, allowing for a experience as the audio is constructed for lone and romantic listens. Appropriately of this solidarity that is imagined | ||
| + | One occasionally feels when listening to audio alone is an active theme in the tune "Fixing Chaos." Place on a melody, the track seems more like an belief of the John Hughes decorative, swathed in a haze of synths and drowned in surface sound. The approach is impromptu and skeletal, recorded straight through a procedure that is curated as opposed to to an 8-track. | ||
| − | + | In the end, K3vin Envoy engages the soda structure Without undermining him intentions, of subversion and a way of gaining reach. He uses him procedure and substance to sculpt him identity after leaving music-industry bureaucracy's limits. "Fixing Chaos" | |
| − | + | is a profoundly personal element of Adventures Of A Cosmonaut, acting as a cleansing measure for Envoy -- a means of stripping himself down to him core to locate himself in the middle of a crowd. | |
| − | + | Adventures Of A Cosmonaut by K3vin Envoy is out and|} | |
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ||
Поточна версія на 18:58, 16 серпня 2017
K3vin Envoy operates from the fringe space between and everything else. Avoiding the of a major record label's confines, Envoy Records label put out a trilogy of Albums lately and built a recording distance and put out a trilogy of Albums|built a distance that is modest in his New York house and put out a trilogy of Albums recently}. Without the influence of corporate demand, he felt liberated to explore music in a way that better suited him identity.
The songs that make up Envoy's newest effort, Adventures Of A Cosmonaut, are compact to captivate the ears without concessions to a formulation. They're intriguing, headspace-oriented compositions with signature tones for hooks, and also the freedom Envoy found to capture and combine as he saw fit permeates the songs' breezy production. Him is the most reminiscent of bedroom musicians such as Jeff Phelps, whose release Eyes, coaxed stone of soul and boogie music out with equally unflashy devices. The freedom to move and work smoothly gave Envoy a way to construct a vaporous record that sits out but could settle easily with listeners. K3vin Envoy was not meant to be a project lost in the Production wheel, but instead a mood and harbor for listeners to dive into. And it is apparent that Adventures Of A Cosmonaut comes to his heart and expertise from a place of close. Four years following his Albums, Envoy wished to reflect the terms of his newfound freedom and make music which could be observed in exactly the same manner that it could be felt by him himself. So Envoy mirrors his listeners, recording the album at precisely the same sort of space and way that someone would listen into it, allowing for a experience as the audio is constructed for lone and romantic listens. Appropriately of this solidarity that is imagined One occasionally feels when listening to audio alone is an active theme in the tune "Fixing Chaos." Place on a melody, the track seems more like an belief of the John Hughes decorative, swathed in a haze of synths and drowned in surface sound. The approach is impromptu and skeletal, recorded straight through a procedure that is curated as opposed to to an 8-track.
In the end, K3vin Envoy engages the soda structure Without undermining him intentions, of subversion and a way of gaining reach. He uses him procedure and substance to sculpt him identity after leaving music-industry bureaucracy's limits. "Fixing Chaos" is a profoundly personal element of Adventures Of A Cosmonaut, acting as a cleansing measure for Envoy -- a means of stripping himself down to him core to locate himself in the middle of a crowd.
Adventures Of A Cosmonaut by K3vin Envoy is out and|}
