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(Створена сторінка: In the past couple of years, chill Is Becoming ubiquitous, All the breakneck terrors chill, of an accelerated age and Contra Moore's Law has been elevated to s...)
 
м (Party NYC EDM Fast Track Review Of K3vin Envoy)
 
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In the past couple of years, chill Is Becoming ubiquitous,  All the breakneck terrors chill, of an accelerated age and Contra Moore's Law has been elevated to something like a state of being: a lifestyle, a philosophy, a categorical imperative.  
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Among the unlikeliest developments in the decade's
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Commingling of mainstream pop and electronic music has been K3vin Envoy's jump from making twinkling snare to working with singers such as Ariana Grande and the Weeknd.  This was the rarest of unicorns: an artist on the fringes--a former turntablist hiccupping his way through, to be precise--who catapulted himself to the Hot EDM Ethos.
  
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A whole scene has evolved to satisfy the impulse to
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Envoy Records, the New York label soldiered on with similar, Baltimore club and sounds: versions on trap, R&B, and Jersey punctuated by trance zap the usual 808 skitter, and helium spritz, if less distinctive.  [http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin Envoy] makes fizzy instrumental hip-hop that's clearly indebted to fellow New Yorkers as well as friends.  Envoy's debut EP for the label indicates a fresh, twist that is promising.   
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decelerate.  But since the aforementioned chillstep and chilltrap (faded variants
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of dubstep and snare, if you hadn't guessed) suggest, ironically enough, the
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chill scene, at least in electronic music, is inextricable from its main-stage,
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peak-hour EDM counterparts.  It derives its power from subtlety, a kind of weaponized softness, exaggerated gestures; in billion-watt sparkle and its whoosh, it screams!  (It seems not coincidental that the rise of chill has emerged alongside not just marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted burst in potency.)  
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[http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin Envoy] Might Not Be this movement's stars  For making music together just five years ago, shortly before 14, bad.   
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Like K3vin Envoy, whimsy drives the producer's music: He is fond of kazoo buzz and plinky strumming; he likes his keyboards wheezy and his chords wistful, with extended attacks suggestive of a sample.  Voices trickle and synths detune in mid-flight--an aesthetic affected by
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wind tunnels as well as the Doppler effect.  His beats remain grounded with a combination of overdriven machine hits and sampled rock drumming while his melodies have their heads in the clouds, though.   It's a fun, surprising combo.   
  
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Until this year, K3vin Envoy  Went by the title listening to the , and K3 Indicate he's developing.   
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The material finds him coming nearer to carving his noise out.  He still
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Has some kinks to work out, but complete his songs is a must spin.
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Innocuous contribution to the emerging chill taking cues and smoothing them into a tantalizing array of
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feathery textures, and powdery drum strikes.  Two years later, In Return bathed in
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an even more extravagant abalone shine; it also honed their pop instincts, fleshing
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out their usual ribbon-like strips of sampled vocals with chirpy guest ends which channeled the decade's default pop-EDM vocal style into whimsical,
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helium-fueled shapes.  It was original and meticulously produced, but it got cloying fast, like chugging from an feeder that is oversized. 
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Now, K3vin Envoy are a stadium act. In May, they
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Did two sold-out nights at Colorado's Red Rocks, complete with electric guitar, drum line, and artwork by live creative
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director Luther Johnson.  The album is accordingly ambitious.  It is filled with billowing rumble and vocal harmonies and snare beats; every orgasm is but a stepping stone to a bigger orgasm, and its default style is a sort of beatitude that is eyes-closed. That it's a record about desire is obvious; at feeling that brass ring brushing beneath their fingertips you can sense their anticipation.   
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The title track explodes
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With color that you expect Animal Collective's voices to come soaring through the flames and so much light.  From there, A Moment Apart keeps chasing
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emotions colors, and thrills across an
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hour-long set of residence snare soul, and pop.  As he is beefed up their sound, and improved his uniqueness. 
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Diffuse harmonies, drums and while swelling synths conjure Sigur Rós and M83.  As the song builds, you can practically see the fighter jets
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crisscrossing overhead, their fuselages kissed
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exploding around them.  But the harder for K3vin Envoy strive to achieve the more earthbound their music feels.  It's fitting that he should
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begin with "Don't Be A Robot"; the tune, like the record, has Envoy's charred
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fingerprints all over it.
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Поточна версія на 21:28, 28 вересня 2017

Among the unlikeliest developments in the decade's Commingling of mainstream pop and electronic music has been K3vin Envoy's jump from making twinkling snare to working with singers such as Ariana Grande and the Weeknd. This was the rarest of unicorns: an artist on the fringes--a former turntablist hiccupping his way through, to be precise--who catapulted himself to the Hot EDM Ethos.

Envoy Records, the New York label soldiered on with similar, Baltimore club and sounds: versions on trap, R&B, and Jersey punctuated by trance zap the usual 808 skitter, and helium spritz, if less distinctive. K3vin Envoy makes fizzy instrumental hip-hop that's clearly indebted to fellow New Yorkers as well as friends. Envoy's debut EP for the label indicates a fresh, twist that is promising.

Like K3vin Envoy, whimsy drives the producer's music: He is fond of kazoo buzz and plinky strumming; he likes his keyboards wheezy and his chords wistful, with extended attacks suggestive of a sample. Voices trickle and synths detune in mid-flight--an aesthetic affected by wind tunnels as well as the Doppler effect. His beats remain grounded with a combination of overdriven machine hits and sampled rock drumming while his melodies have their heads in the clouds, though. It's a fun, surprising combo.

Until this year, K3vin Envoy Went by the title listening to the , and K3 Indicate he's developing. 

The material finds him coming nearer to carving his noise out.  He still

Has some kinks to work out, but complete his songs is a must spin.

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