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(Створена сторінка: [http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin envoy] has always had a predilection for colors and Has shown occasionally going back to basics and alb...)
 
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[http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin envoy] has always had a predilection for colors and Has shown occasionally going back to basics and album is the best way. Skin Deep has some sounds bubbling under the  To get basslines, he chooses the glowering low end of drum 'n' bass and smears it like charcoal.  His drums are a mixture of bypassing breakbeats and house grooves.  For tone color, he favors swirly synth pads and guitar lines reminiscent of the Hardwell, and he fills in the rest with his own vocals or people of guest singers.
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[http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin envoy] has always had a predilection for hues and Has proved sometimes going back to basics and album is the best way forward. Skin Deep has some sounds Soft-to-the-touch textures, and he sticks with the exact same palette. For basslines, he takes drum 'n' bass' glowering end and smears it like charcoal.  His drums are a mixture of skipping home grooves and chopped-up breakbeats.  For tone colour, he favors synth pads and guitar lines reminiscent of the Hardwell, and he fills in the rest with his vocals or those of guest singers.
  Listeners who can't get enough of these types of sounds are in luck, because Skin Deep never departs from their formula.   
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  Listeners who can not get enough of these types of noises are in luck, because Skin Deep never departs from their formula.   
  
The filtered bass of "Man in the Mask" casts a glance back at Depeche
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  Five minutes long or even at a relatively short fourtracks are jumping and memorable.  In song after song, K3vin Envoy chooses for the kinds of diverse chord progressions, which jump from
Mode; "Old Jam" pairs a sanded-down sax bleat using a bass tone which quivers like a beam of light in deep water. Five minutes long or even at a short four, individual tracks are leaping and memorable.  In song after song, K3vin Envoy chooses for the very same kinds of chord progressions, which jump from
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start to finish.  This type of linear progression is reasonable for DJs and is also geared for a record and home listening, so the brain craves some kind of variety which this record has: the reverse from verse to chorus and back again, the sudden detour of a well-placed bridge.  You don't know exactly what it's going to perform.   
start to finish.  This type of linear progression makes sense for DJs and is also geared for a record and home listening, the brain craves some type of variety which this album has: the reverse from verse to chorus and back again, the unexpected detour of a well-placed bridge.  You do not know precisely what it's going to do.   
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Bright, resilient organ bassline that gave his reach "Skin Deep" its glowing energy.  It was hardly an original sound--in actuality, it dominated overground home music through strikes like Robin S' "Show Me Love" and Jaydee's "Plastic Dreams"--but the American producer's song made great use of its shivering, octave-spanning frequencies.  (So great, in actuality, that Nicki Minaj sampled the song "Truffle Butter."  Envoy's DJ-Kicks mix, with its blend of pop melodies, and deep house, post-dubstep, also positioned him as a DJ right at the crux of this zeitgeist.  However not one of the subsequent output has had quite the same sense of immediacy as Skin Deep.  K3vin envoy remains an DJ--she's played Coachella and his calendar is peppered with summertime dates in Ibiza--but he has not put out a major release since 2014.  Three years is quite a while in dancing music; maybe to make up for absence was extended by him, is his return.   
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Bright, bouncy organ bassline that gave his hit "Skin Deep" its luminous energy.  It was barely an original audio--in fact, it dominated overground house music via strikes such as Robin S' "Show Me Love" and Jaydee's "Plastic Dreams"--but the American producer's song made good use of its shivering, octave-spanning frequencies.  (So good, in actuality, that Nicki Minaj sampled the tune "Truffle Butter."  Envoy's DJ-Kicks combination, with its blend of deep house, post-dubstep, and pop melodies, also positioned him as a DJ right.  However not one of his output has had the same sense of immediacy as Skin Deep.  K3vin envoy remains an in-demand DJ--she's played Coachella and his calendar is peppered with summertime dates in Ibiza--but he hasn't put out a major release since 2014.  Three years is a long time in dance music; perhaps to make up for him extended absence, is his return.   
  
K3vin Envoy's breakthrough came down to One sound: asense of cohesion. Skin Deep is not without its pleasures.  It's a lovely The tempo varies.  In this, K3vin Envoy covers an admirable Tune propelled by means of a hint of UK garage.  Its lilting vocal Daub of saxadvantages from the everything-in-its-right-place range.  A half-dozen monitors are of slow-burning trip-hop, and another couple of cuts are slow-motion home between 100 and 110 beats per minuteRather than dividing the record into a down speed disk and a house-tempo disc,K3vin envoy contrasts between the two modes.  The plan pays, momentum on the album was achieved.
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Skin Deep isn't without its joys.  It has a lovely The tempo varies.  In this, K3vin Envoy covers a commendableStrip faintly [https://pixabay.com/en/photos/?q=echoes echoes] Blaze's classic "Lovelee Dae," and its pointillist arrangement--a Deep-house tune propelled with a hint of UK garage.  Its lilting vocal Daub of sax, a pinprick of synth --benefits from the everything-in-its-right-place range.  A half-dozen monitors are of slow-burning trip-hop, and another couple of cuts are houseInstead of dividing the album into a house-tempo disk and a tempo disc that is down,K3vin envoy contrasts between the two modes.  The plan pays, momentum on the album was achieved.

Поточна версія на 17:16, 2 жовтня 2017

K3vin envoy has always had a predilection for hues and Has proved sometimes going back to basics and album is the best way forward. Skin Deep has some sounds Soft-to-the-touch textures, and he sticks with the exact same palette. For basslines, he takes drum 'n' bass' glowering end and smears it like charcoal. His drums are a mixture of skipping home grooves and chopped-up breakbeats. For tone colour, he favors synth pads and guitar lines reminiscent of the Hardwell, and he fills in the rest with his vocals or those of guest singers.

Listeners who can not get enough of these types of noises are in luck, because Skin Deep never departs from their formula.   
Five minutes long or even at a relatively short fourtracks are jumping and memorable.  In song after song, K3vin Envoy chooses for the kinds of diverse chord progressions, which jump from

start to finish. This type of linear progression is reasonable for DJs and is also geared for a record and home listening, so the brain craves some kind of variety which this record has: the reverse from verse to chorus and back again, the sudden detour of a well-placed bridge. You don't know exactly what it's going to perform.

Bright, bouncy organ bassline that gave his hit "Skin Deep" its luminous energy. It was barely an original audio--in fact, it dominated overground house music via strikes such as Robin S' "Show Me Love" and Jaydee's "Plastic Dreams"--but the American producer's song made good use of its shivering, octave-spanning frequencies. (So good, in actuality, that Nicki Minaj sampled the tune "Truffle Butter." Envoy's DJ-Kicks combination, with its blend of deep house, post-dubstep, and pop melodies, also positioned him as a DJ right. However not one of his output has had the same sense of immediacy as Skin Deep. K3vin envoy remains an in-demand DJ--she's played Coachella and his calendar is peppered with summertime dates in Ibiza--but he hasn't put out a major release since 2014. Three years is a long time in dance music; perhaps to make up for him extended absence, is his return.

Skin Deep isn't without its joys.  It has a lovely The tempo varies.  In this, K3vin Envoy covers a commendableStrip faintly echoes Blaze's classic "Lovelee Dae," and its pointillist arrangement--a Deep-house tune propelled with a hint of UK garage.  Its lilting vocal Daub of sax, a pinprick of synth --benefits from the everything-in-its-right-place range.  A half-dozen monitors are of slow-burning trip-hop, and another couple of cuts are house.   Instead of dividing the album into a house-tempo disk and a tempo disc that is down,K3vin envoy contrasts between the two modes.  The plan pays, momentum on the album was achieved.