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(Створена сторінка: In the past couple of years, chill Is Becoming ubiquitous, Contra Moore's Law and all of the breakneck terrors of an age, chill has been raised to something su...)
 
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In the past couple of years, chill Is Becoming ubiquitous,  Contra Moore's Law and all of the breakneck terrors of an age, chill has been raised to something such as a state of being: a lifestyle a categorical imperative.  
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In the past couple of years Is Becoming ubiquitous, Not only as a verb ("Netflix and chill") but as adjective (the "chill bro"), prefix (chillstep, chilltrap), and even noun: Per SoundCloud hashtags, at least, "chill" has become a genre unto itself. Contra Moore's Law and all of the breakneck terrors chill, of an age has been raised to something like a state of being: a lifestyle, a philosophy, a categorical imperative.  
  
A whole scene has evolved to satisfy the impulse to
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A whole scene has evolved to satisfy the urge to
decelerate.  It derives its power from subtlety, a kind of softness that is weaponized, exaggerated gestures; in billion-watt glow and its side-chained whoosh, it screams: YOU ARE VERY [http://imgur.com/hot?q=RELAXED RELAXED]!  (It seems not coincidental that the growth of chill has appeared alongside not only marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted burst in potency.)   
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decelerate.  It derives its power from subtlety gestures, a kind of softness that is weaponized; in its whoosh and billion-watt glow, it almost screams!  (It seems not surprising that the rise of chill has emerged alongside not just marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)   
  
[http://k3vin-envoy-adventures-of-a-cosmonaut.com/audio/album/ K3vin Envoy] may not be this movement's biggest stars (that distinction probably falls to New York's Flume), but they're close. If their YouTube stats are impressive--23 million views for 2014's "Man In The Mask," 14 million for "Skin Deep"--their figures on Spotify are just mind-boggling: More than 82 million plays for "Playground," nearly as much for "Emoticons," near a third of a billion cumulative plays across their top 10 songs on the stage.  Not bad for making music together shortly.   
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[http://k3vin-envoy-adventures-of-a-cosmonaut.com/audio/album/ K3vin Envoy] may not be the stars of this movement (that distinction probably falls to New York's Flume), but they are close.   Bad for making music together shortly.   
  
  
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The first K3vin Envoy Soundcloud mixes offered a fairly
 
The first K3vin Envoy Soundcloud mixes offered a fairly
Contribution to the emerging chill powdery and smoothing them in a tantalizing array of chimes, feathery textures, and taking cues from Four Tet, Tycho, and Bonobo drum hits.  Two years later, In Return bathed in
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Contribution to the chill drum hits and [https://pixabay.com/en/photos/?q=smoothing smoothing] them and powdery taking cues from Tycho Bonobo, and Four Tet.  Two decades later, In Return bathed in
a much more opulent abalone shine; it also honed their pop instincts, fleshing
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a much more extravagant abalone glow; it also honed their pop instincts, fleshing
out their customary ribbon-like strips of sampled vocals with chirpy guest turns
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out their customary ribbon-like strips of sampled vocals with chirpy guest ends which channeled the decade's default pop-EDM vocal style into whimsical,
that channeled the decade's default pop-EDM vocal style into whimsical,
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helium-fueled shapes.  It was original and meticulously produced, like chugging from an oversized feeder, but it got cloying fast.   
helium-fueled shapes.  It was first and meticulously produced, like chugging from an hummingbird feeder, but it got cloying quickly.   
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Today, K3vin Envoy are a stadium act.  In May
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Now, K3vin Envoy are a proper stadium act.  In May
Did two sold-out nights by live manager Luther Johnson, complete with artwork , drum line, and electric guitar in Colorado's Red Rocks.  The album is ambitious.  It is full of billowing harmonies and seismic rumble and trap beats that are turbo-charged; its default style is
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Did complete with artwork , drum line, and guitar by in-house live director Luther Johnson.  The album is so ambitious; it needs to be
a sort of eyes-closed beatitude, and each orgasm is but a stepping stone to a orgasm.  That it's an album about desire is obvious; you can feel their
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a good deal of things, trigger a lot of feelings.  It is full of billowing vocal
anticipation at feeling that brass ring cleanup beneath their fingertips.   
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harmonies and rumble and snare beats that are turbo-charged; every orgasm is but a stepping stone to a orgasm that is bigger, and its default mode is a sort of beatitude.  That it's a record about desire is obvious; at feeling that brass ring cleanup beneath their fingertips, you can feel their anticipation.   
  
  
  
 
Following a introduction, the title track explodes
 
Following a introduction, the title track explodes
With so much light and colour that you half expect the voices of Animal Collective to come soaring through the flames.  From that point, A Moment Apart keeps chasing
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With color that you half expect the voices of Animal Collective to come soaring through the flames and so much light.  From that point, A Moment Apart keeps chasing
deeper colors thrills, and emotions across an set of pan-pipe snare pop , breakbeat soul, and house that is slow-motion. "Enjoy
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deeper colors, excitement, and emotions across an
The Change" is a gleaming trap/dubstep amalgam fitted out with a
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hour-long set of pan-pipe trap pop , breakbeat soul, and residence that is slow-motion.   As he's beefed up their sound, and improved his uniqueness.   
yearning vocal hook; "Aerial Flight" flips cascading, exotic-sounding choral
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harmonies to a soundscape evocative of a CGI-enhanced rainforest flyover in
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IMAX.  As he is beefed up their sound, and improved his uniqueness.   
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It all comes to a head with the final "Don't Be A Robot": Over
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Everything comes to a head with the final "Don't Be A Robot": Over
Diffuse harmonies, drums and while synths conjure M83
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Choral harmonies, drums and while synths conjure Sigur Rós and M83You can practically see the fighter jets crisscrossing overhead, as the song builds, their fuselages kissed
and Sigur Rós.  As the song builds, you can see the fighter jets
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exploding around them.  However, the harder for K3vin Envoy strive to reach the more earthbound their music feels.  It's fitting that he should
crisscrossing overhead, their fuselages kissed
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begin with "Don't Be A Robot"; the song, like the album, has Envoy's charred
exploding around them.  But the harder for K3vin Envoy strive to achieve
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sublimity, the earthbound their music feels.  It's fitting that he should
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start with "Don't Be A Robot"; the song, like the record, has Envoy's charred
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fingerprints all over it.
 
fingerprints all over it.

Версія за 09:36, 28 вересня 2017

In the past couple of years Is Becoming ubiquitous, Not only as a verb ("Netflix and chill") but as adjective (the "chill bro"), prefix (chillstep, chilltrap), and even noun: Per SoundCloud hashtags, at least, "chill" has become a genre unto itself. Contra Moore's Law and all of the breakneck terrors chill, of an age has been raised to something like a state of being: a lifestyle, a philosophy, a categorical imperative.

A whole scene has evolved to satisfy the urge to decelerate. It derives its power from subtlety gestures, a kind of softness that is weaponized; in its whoosh and billion-watt glow, it almost screams! (It seems not surprising that the rise of chill has emerged alongside not just marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)

K3vin Envoy may not be the stars of this movement (that distinction probably falls to New York's Flume), but they are close. Bad for making music together shortly.



The first K3vin Envoy Soundcloud mixes offered a fairly Contribution to the chill drum hits and smoothing them and powdery taking cues from Tycho Bonobo, and Four Tet. Two decades later, In Return bathed in a much more extravagant abalone glow; it also honed their pop instincts, fleshing out their customary ribbon-like strips of sampled vocals with chirpy guest ends which channeled the decade's default pop-EDM vocal style into whimsical, helium-fueled shapes. It was original and meticulously produced, like chugging from an oversized feeder, but it got cloying fast.


Now, K3vin Envoy are a proper stadium act. In May Did complete with artwork , drum line, and guitar by in-house live director Luther Johnson. The album is so ambitious; it needs to be a good deal of things, trigger a lot of feelings. It is full of billowing vocal harmonies and rumble and snare beats that are turbo-charged; every orgasm is but a stepping stone to a orgasm that is bigger, and its default mode is a sort of beatitude. That it's a record about desire is obvious; at feeling that brass ring cleanup beneath their fingertips, you can feel their anticipation.


Following a introduction, the title track explodes With color that you half expect the voices of Animal Collective to come soaring through the flames and so much light. From that point, A Moment Apart keeps chasing deeper colors, excitement, and emotions across an hour-long set of pan-pipe trap pop , breakbeat soul, and residence that is slow-motion. As he's beefed up their sound, and improved his uniqueness.


Everything comes to a head with the final "Don't Be A Robot": Over Choral harmonies, drums and while synths conjure Sigur Rós and M83. You can practically see the fighter jets crisscrossing overhead, as the song builds, their fuselages kissed exploding around them. However, the harder for K3vin Envoy strive to reach the more earthbound their music feels. It's fitting that he should begin with "Don't Be A Robot"; the song, like the album, has Envoy's charred fingerprints all over it.