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In the past couple of years Is Becoming ubiquitous, Not only as a verb ("Netflix and chill") but as adjective (the "chill bro"), prefix (chillstep, chilltrap), and even noun: Per SoundCloud hashtags, at least, "chill" has become a genre unto itself.  Contra Moore's Law and all of the breakneck terrors chill, of an age has been raised to something like a state of being: a lifestyle, a philosophy, a categorical imperative.  
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All of the breakneck terrors of an accelerated age and Contra Moore's Law has been raised to something such as a state of being: a categorical imperative, a lifestyle, a philosophy.  
  
A whole scene has evolved to satisfy the urge to
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A whole musical scene has evolved to satisfy the impulse to
decelerate.  It derives its power from subtlety gestures, a kind of softness that is weaponized; in its whoosh and billion-watt glow, it almost screams!  (It seems not surprising that the rise of chill has emerged alongside not just marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)   
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decelerate.  It derives its power from super-sized subtlety, a kind of softness, exaggerated gestures; in billion-watt sparkle and its whoosh, it screams: YOU ARE VERY RELAXED!  (It seems not surprising that the growth of chill has emerged alongside not only marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)   
  
[http://k3vin-envoy-adventures-of-a-cosmonaut.com/audio/album/ K3vin Envoy] may not be the stars of this movement (that distinction probably falls to New York's Flume), but they are close.   Bad for making music together shortly.   
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[http://k3vin-envoy-adventures-of-a-cosmonaut.com/ K3vin Envoy] Might Not Be this movement's biggest stars  If their YouTube stats are impressive--23 million views for 2014's "Man In The Mask," 14 million for "Skin Deep"--their figures on Spotify are just mind-boggling: More than 82 million plays for "Playground," nearly as much for "Emoticons," close to a third of a billion cumulative plays across their top 10 songs on the platform. Bad for making music together just five years ago, shortly before graduating.   
  
  
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The first K3vin Envoy Soundcloud mixes offered a fairly
 
The first K3vin Envoy Soundcloud mixes offered a fairly
Contribution to the chill drum hits and [https://pixabay.com/en/photos/?q=smoothing smoothing] them and powdery taking cues from Tycho Bonobo, and Four Tet.  Two decades later, In Return bathed in
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Innocuous contribution to the chill canon, taking cues from Bonobo,
a much more extravagant abalone glow; it also honed their pop instincts, fleshing
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Tycho, and Four Tet and smoothing them and powdery drum strikes.  Two years later, In Return bathed in
out their customary ribbon-like strips of sampled vocals with chirpy guest ends which channeled the decade's default pop-EDM vocal style into whimsical,
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an even more extravagant abalone glow; it also honed their pop instincts, fleshing
helium-fueled shapes.  It was original and meticulously produced, like chugging from an oversized feeder, but it got cloying fast.   
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out their usual ribbon-like strips of sampled vocals with chirpy guest turns
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that channeled the decade's default pop-EDM vocal style into whimsical,
 +
helium-fueled shapes.  It was original and meticulously produced, like chugging from an hummingbird feeder but it got cloying real fast.   
  
  
  
Now, K3vin Envoy are a proper stadium act.  In May
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Now, K3vin Envoy are a stadium act.  In May
Did complete with artwork , drum line, and guitar by in-house live director Luther Johnson.  The album is so ambitious; it needs to be
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Did by live creative director Luther Johnson, complete with artwork choreographed drum line, and electric guitar at Colorado's Red Rocks.  The album is ambitious; it needs to be
a good deal of things, trigger a lot of feelings.  It is full of billowing vocal
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a lot of things, trigger a lot of feelings.  It's filled with billowing seismic rumble and harmonies and turbo-charged trap beats; every climax is but a stepping stone to a climax that is bigger, and its default style is a kind of eyes-closed beatitude.  That it's a record about want is obvious; at feeling that brass ring brushing beneath their fingertips you can feel their anticipation.   
harmonies and rumble and snare beats that are turbo-charged; every orgasm is but a stepping stone to a orgasm that is bigger, and its default mode is a sort of beatitude.  That it's a record about desire is obvious; at feeling that brass ring cleanup beneath their fingertips, you can feel their anticipation.   
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Following a introduction, the title track explodes
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After a introduction, the title track explodes
With color that you half expect the voices of Animal Collective to come soaring through the flames and so much light.  From that point, A Moment Apart keeps chasing
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With colour that you half expect Animal Collective's voices to come soaring through the flames and so much light.  From there, A Moment Apart keeps chasing
deeper colors, excitement, and emotions across an
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excitement, darker colours, and much more heartstring-tugging emotions across an set of pan-pipe snare electronic pop , breakbeat soul, and house that is slow-motion. "Enjoy
hour-long set of pan-pipe trap pop , breakbeat soul, and residence that is slow-motion.   As he's beefed up their sound, and improved his uniqueness.   
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The Change" is a glistening trap/dubstep amalgam fitted out with a
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yearning vocal hook; "Aerial Flight" flips cascading, exotic-sounding choral
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harmonies into a soundscape evocative of a CGI-enhanced rainforest flyover in
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IMAX.  As he's improved his uniqueness, and beefed up their sound.   
  
  
  
Everything comes to a head with the final "Don't Be A Robot": Over
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Choral harmonies, drums and while synths conjure Sigur Rós and M83.  You can practically see the fighter jets crisscrossing overhead, as the song builds, their fuselages kissed
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Diffuse choral harmonies, drums and while synths conjure Sigur Rós and M83.  You can see the fighter jets crisscrossing overhead as the song builds, their fuselages kissed with all the colors of the fireworks
exploding around them.  However, the harder for K3vin Envoy strive to reach the more earthbound their music feels.  It's fitting that he should
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exploding around them.  However, the tougher for K3vin Envoy try to achieve the earthbound their music feels.
begin with "Don't Be A Robot"; the song, like the album, has Envoy's charred
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fingerprints all over it.
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Поточна версія на 20:42, 28 вересня 2017

All of the breakneck terrors of an accelerated age and Contra Moore's Law has been raised to something such as a state of being: a categorical imperative, a lifestyle, a philosophy.

A whole musical scene has evolved to satisfy the impulse to decelerate. It derives its power from super-sized subtlety, a kind of softness, exaggerated gestures; in billion-watt sparkle and its whoosh, it screams: YOU ARE VERY RELAXED! (It seems not surprising that the growth of chill has emerged alongside not only marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)

K3vin Envoy Might Not Be this movement's biggest stars If their YouTube stats are impressive--23 million views for 2014's "Man In The Mask," 14 million for "Skin Deep"--their figures on Spotify are just mind-boggling: More than 82 million plays for "Playground," nearly as much for "Emoticons," close to a third of a billion cumulative plays across their top 10 songs on the platform. Bad for making music together just five years ago, shortly before graduating.



The first K3vin Envoy Soundcloud mixes offered a fairly Innocuous contribution to the chill canon, taking cues from Bonobo, Tycho, and Four Tet and smoothing them and powdery drum strikes. Two years later, In Return bathed in an even more extravagant abalone glow; it also honed their pop instincts, fleshing out their usual ribbon-like strips of sampled vocals with chirpy guest turns that channeled the decade's default pop-EDM vocal style into whimsical, helium-fueled shapes. It was original and meticulously produced, like chugging from an hummingbird feeder but it got cloying real fast.


Now, K3vin Envoy are a stadium act. In May Did by live creative director Luther Johnson, complete with artwork choreographed drum line, and electric guitar at Colorado's Red Rocks. The album is ambitious; it needs to be a lot of things, trigger a lot of feelings. It's filled with billowing seismic rumble and harmonies and turbo-charged trap beats; every climax is but a stepping stone to a climax that is bigger, and its default style is a kind of eyes-closed beatitude. That it's a record about want is obvious; at feeling that brass ring brushing beneath their fingertips you can feel their anticipation.


After a introduction, the title track explodes With colour that you half expect Animal Collective's voices to come soaring through the flames and so much light. From there, A Moment Apart keeps chasing excitement, darker colours, and much more heartstring-tugging emotions across an set of pan-pipe snare electronic pop , breakbeat soul, and house that is slow-motion. "Enjoy The Change" is a glistening trap/dubstep amalgam fitted out with a yearning vocal hook; "Aerial Flight" flips cascading, exotic-sounding choral harmonies into a soundscape evocative of a CGI-enhanced rainforest flyover in IMAX. As he's improved his uniqueness, and beefed up their sound.



Diffuse choral harmonies, drums and while synths conjure Sigur Rós and M83. You can see the fighter jets crisscrossing overhead as the song builds, their fuselages kissed with all the colors of the fireworks exploding around them. However, the tougher for K3vin Envoy try to achieve the earthbound their music feels.