The Self-Defense Skill Related With DZNeP

, 2013b), which can be considered as a new approach to investigate the relationship between music and flow in group terms and starting from validated instruments (i.e., FSS is usually employed to assess flow after a specific performance). In particular, according to this model, at a group level it is crucial to consider another type of optimal experience labeled ��group flow�� (Sawyer, 2003, 2008), which is supposedly able to support excellent performances, as Hart and Di Blasi (2015) proved using semi-structured interviews. Therefore, a conclusive future challenge could be considering together two main aspects of exploring flow in musical contexts. The first are emotional components of both music and flow, while the second is a group level of analysis that is nearly unexplored in a musical context. The Networked Flow model seemed to offer the possibility of addressing all the above-mentioned issues (i.e., emotive components and group level of analysis), (i) starting from concepts of Social Presence (Biocca and Harms, 2003; Riva, 2008; Riva et al., 2011), which also encompasses an embodied perspective on emotive dimension (i.e., emotive contagion), and (ii) referring to the above-mentioned group flow that broadens the perspective to a group level. Limitations The limitations of the present review concerned mainly the small number of studies included, which were not intended to be representative of the whole field of ��flow in music.�� Nevertheless, all the studies fully met the inclusion criteria, which were accurately selected in order to focus on a small proportion of studies concerning dispositional and state flow in the musical domain. Moreover, another clear limitation is due to the retrospective nature of the instruments used in these studies. Conflict of Interest Statement The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest. Footnotes 1Canova, A. (1757�C1822). Psyche Revived by Cupid��s Kiss Paris: Louvre.""The uncanny valley theory was originally presented by Mori (1970) in relation to a BI6727 prosthetic arm. In the recent years it gathered a lot of attention in the fields of robotics, virtual agents, cognitive sciences, as well as in mass media. The uncanny valley hypothesis suggests a non-linear relationship between a robot's anthropomorphism and affinity. It proposes that by increasing humanlikeness of appearance of a robot we can also increase affinity with it. However, when a robot's appearance becomes a nearly perfect human representation, but is still distinguishable from it, people's emotional reaction instantly becomes strongly negative. Once the appearance of a robot becomes indistinguishable from a real human, the affinity with it reaches its optimum at the same level as for human beings.