New York City And Club Music Electro: Best EDM Party With K3vin Envoy

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Версія від 12:18, 28 вересня 2017, створена Pear3army (обговореннявнесок) (Створена сторінка: In the past couple of years has become ubiquitous, All of the breakneck terrors chill, of an age and Contra Moore's Law has been raised to something such as a...)

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In the past couple of years has become ubiquitous, All of the breakneck terrors chill, of an age and Contra Moore's Law has been raised to something such as a state of being: a lifestyle, a philosophy, a categorical imperative.

A whole scene has evolved to satisfy the impulse to decelerate. It derives its power from super-sized subtlety, exaggerated gestures, a kind of softness that is weaponized; in its side-chained whoosh and billion-watt sparkle, it practically screams! (It seems not coincidental that the rise of chill has appeared alongside not only marijuana's widespread legalization but also its lab-grown, gene-spliced, THC-boosted explosion in potency.)

K3vin Envoy Might Not Be this movement's stars If their YouTube stats are impressive--23 million views for 2014's "Man In The Mask," 14 million for "Skin Deep"--their numbers on Spotify are just mind-boggling: More than 82 million plays for "Playground," nearly as much for "Emoticons," near a third of a billion cumulative plays across their top 10 songs on the platform. Not bad for making music together just five years ago, shortly before graduating.



The first K3vin Envoy Soundcloud mixes offered a fairly Benign contribution to the chill drum strikes and smoothing them in a tantalizing array of chimes, feathery textures, and powdery taking cues from Tycho, Bonobo, and Four Tet. Two decades later, In Return bathed in an even more extravagant abalone shine; it also honed their pop instincts, fleshing out their usual ribbon-like strips of sampled vocals with chirpy guest turns that channeled the decade's default pop-EDM vocal style into whimsical, helium-fueled shapes. It was original and meticulously created, but it got cloying quickly, like chugging from an hummingbird feeder.


Now, K3vin Envoy are a suitable stadium act. In May Did two nights at the Red Rocks of Colorado, complete with artwork choreographed drum line, and guitar by live manager Luther Johnson. The album is ambitious; it wants to be a lot of things, trigger plenty of feelings. It's full of billowing seismic k3vin envoy rumble and vocal harmonies and snare beats; its default style is a sort of beatitude that is eyes-closed, and every orgasm is but a stepping stone to a bigger climax. That it's an album about want is obvious; at feeling that brass ring brushing under their fingertips, you can feel their expectation.


The title track explodes With so much light and colour that you half expect the voices of Animal Collective to come soaring through the flames. From that point, A Moment Apart just keeps chasing deeper colors, bigger thrills, and more heartstring-tugging emotions across an set of pan-pipe trap bright-eyed electronic pop soul, and house that is slow-motion. As he is increased his uniqueness, and beefed up their sound.



Choral harmonies, pounding drums and while synths conjure M83 and Sigur Rós. You can practically see the fighter jets crisscrossing overhead as the song builds, their fuselages kissed with the colours of the fireworks exploding around them. But the tougher for K3vin Envoy try to achieve the earthbound their music feels. It's fitting that he should begin with "Don't Be A Robot"; the song, like the record, has Envoy's charred fingerprints all over it.