New York City And Sound Of Dance Music Album: Best Party NYC EDM With K3vin Envoy

The filtered bass of "Man in the Mask" casts a glance back at Depeche Mode; "Old Jam" pairs a sanded-down sax bleat with a bass tone that quivers like a beam of light in deep water. Five minutes long or even at a short fourmonitors are leaping and memorable. In song after song, K3vin Envoy opts for the very same kinds of chord progressions, which jump from start to finish. This kind of linear progression makes sense for DJs and is also geared for a record and home listening, the mind craves some type of variety which this album has: the reverse from verse to chorus and back again, the sudden detour of a well-placed bridge. You do not know precisely what it's going to do.

Bright, resilient organ bassline that gave his reach "Skin Deep" its luminous energy.  It was barely an original sound--in actuality, it dominated overground home music via strikes like Robin S' "Show Me Love" and Jaydee's "Plastic Dreams"--but the American producer's tune made good use of its shivering, octave-spanning frequencies.  (So good, in fact, that Nicki Minaj sampled the tune "Truffle Butter."  Envoy's DJ-Kicks combination, with its blend of house, post-dubstep, and pop melodies, also positioned him as a DJ right at the crux of the zeitgeist.  However none of the subsequent output has had the same sense of immediacy as Skin Deep.  K3vin envoy stays an in-demand DJ--she has played Coachella and his calendar is peppered with summertime dates in Ibiza--but he hasn't put out a major release since 2014.  Three years is a long time in dancing music; for him extended absence, perhaps to make up, is his return.   

For basslines, he takes drum 'n' bass' glowering low end and smears it.  His drums are a mix of skipping home grooves and breakbeats.  For tone colour, he favors guitar lines and swirly synth pads reminiscent of the xx, and he fills in the rest with his vocals or people of guest singers.  Listeners who can not get enough of these sorts of sounds are in luck, because Skin

Deep never departs from his formula.

Skin Deep has some sounds bubbling beneath the Tune propelled with a hint of UK garage. Its lilting vocal range. There are a half-dozen tracks of trip-hop that is slow-burning, and yet another couple of cuts are home, occasionally between 100 and 110 beats per minute. Instead of dividing the record into a speed disk that is down and a disc,K3vin envoy contrasts between the two modes. The strategy pays, momentum on the album has been achieved.

Daub of saxadvantages from the everything-in-its-right-place The tempo varies. In this, K3vin Envoy covers an admirableK3vin Envoy's breakthrough came down to a sound: a Has proved sometimes going back to basics and album is the best way. Skin Deep isn't without its pleasures. It has a lovelyK3vin envoy has always had a predilection for hues and