Ted. Furthermore, Blandy's mezzotint was developed not only inside the

It can be ironic that the title= j.1369-6513.1999.00027.x evidence that permits us to analyze Mary Blandy's trial and reactions to it so totally is that of which she most complained. At her trial, Mary spoke out against the ``hardships sheJournal of Loved ones History 41(three)Figure 3. ``Miss Molly Blandy, printed for B. Dickinson, February three, 1752. Etching. Wellcome Library, London.had endured as a consequence of rumors and published reports. She especially resented the publication of ``papers and depositions, which ought to not have been published, so that you can represent me because the most abandoned of my sex, and to prejudice the globe against me.106 Solicitor General, Bathurst, acknowledged her feelings of violation at such media intrusion. He title= 890334415573001 confirmed that ``the printing what was offered in proof ahead of the Coroner, drawing odious comparisons amongst her and former parricides, and spreading scandalous reports in regard to her manner of demeaning herself in prison, was a shameful behaviour towards her, along with a gross offence against public justice. The judge, summing up the case, stated significantly exactly the same.107 But these matters had been But deviated in magnitude in between situations, with activity under bimodal situations immaterial. The jury have been instructed to ``disregard what you have heard out of this place. The matter that they have been to determine was whether when Mary gave the poison to her father she knew it to be poison as well as the effect it would have.Ted. Furthermore, Blandy's mezzotint was produced not only within the smallest (and cheapest) 6 ?4 inch format but was also accessible as a 14 ?ten inch print, which tells us that her image had a decent market. In Figure two, Mary is taking tea with a different lady. We may suppose her to be in her personal parlor, but if we look closely we are able to see the bars on the windows and, below a slightly raised dress, that she is wearing leg irons; theWalkerFigure two. ``Miss Mary Blandy, 1751. Engraving. Source. #Look and Learn/Peter Jackson Collection/Bridgeman Photos.lettering underneath informs us that Mary is her cell in Oxford Castle.104 Here she is again in Figure 3, looking ever so fairly in a nice frock inside a pastoral scene. The contradiction is within the detail. The text informs us that the image is ``Taken from life in Oxford Castle, and once again her gown does not cover her shackles. Both the presence of a maid as well as the ignominy of becoming fettered have been matters Mary Blandy raised in her own defense during her trial and had been central to many pamphlets discussing her case.105 The inscription reads ``Miss Molly Blandy who with her own and her sweetheart's contrivance did barbarously and title= journal.pone.0075009 inhumanly poison her own father for his estate. And-- just in case the observer has not kept up with existing affairs--there is definitely an accompanying moral in verse. However the verse underneath offers an unexpected motive: it does not mention Cranstoun or marriage, instead recalling probably the most typical parricide narrative of the coldhearted child killing their parent for cash, ``How could a hand so soft and fair commit ``a crime so black and horrid? The answer, ```Twas gold, with which mankind is curs'd, / `twas gold that was her raging thirst/Her father's wealth and that alone/it was that turn'd her heart to stone. The verse ends by warning other youngsters to take heed of her ``sad catastrophe. The catastrophe itself was depicted visually elsewhere, as in Figure 4, where the primary image shows Mary looking whimsical and pretty, with her gallows scene underneath.